Write a fiction story in not less than 150 words, in the third person. This is the story line which you have to use to write the story:- The pleasant island of vanilia was ruled by a just king. He is subject respected him and his beautiful queen. But his younger brother was nasty, a villan.

Fictional story on a just king and his nasty, villain brother.

Explanation:

The pleasant island of Vanilia was ruled by a just king. His subjects respected him and his beautiful queen but his younger brother was nasty, a villain who would do anything to jeopardize the plans of his brother. He had always wanted the kingdom for himself but wasn't given the throne as he was just the second heir, after his brother.

One day, while his brother was away at war, he decided to capture the throne by causing a revolt and driving away from the loyal subjects and courtiers of the king. He kept the queen in captivity and was able to enjoy his power for some days. The king, unaware that his throne had fallen into the hands of his wily brother, came home to find that almost all his loyal subjects were either killed or imprisoned. Outraged at his brother, he waged a war against the young king and killed him. Those loyal to the younger brother were killed while some shifted loyalties, stating that they had been forced to side with the dead king. The Queen was rescued and the kingdom returned back to its normal condition. The king also made a new proclamation that no one is to feel inferior or superior in his kingdom and everyone stays equal. Such was the quality of the wise king who brought back his kingdom to a state of peace.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran