Which detail should most likely be cited in a historical criticism of a literary work? A. the author's use of dialogue in the literary work

B. the impact the literary work has on modem audiences

C. the popular cultural trends of the time when the work was written

D. the audience that the literary work is likely to reach in the future

Twenty years gone, and i am back again on my own island. as for my change of skin, that is a charm athena, hope of soldiers, uses as she will; she has the knack to make me seem a beggar man sometimes and sometimes young, with finer clothes about me. it is no hard thing for the gods of heaven to glorify a man or bring him low. —the odyssey, homer based on what odysseus says in the passage, what has he learned? humans can become like gods. humans are under the gods’ control. humans can change from beggars to soldiers.

Which two parts of this excerpt from authur conan doyle's " the contest " show policies lack of knowledge about the rules and restrictions of his society

Match each excerpt to the correct stanza structure. 1. it was many and many a year ago, in a kingdom by the sea, that a maiden there lived whom you may know by the name of annabel lee; and this maiden she lived with no other thought than to love and be loved by me. (from "annabel lee" by edgar allan poe) 2. o thou, new-year, delaying long, delayest the sorrow in my blood, that longs to burst a frozen bud and flood a fresher throat with song. (from "in memoriam" by alfred lord tennyson) 3. nature’s first green is gold, her hardest hue to hold. her early leaf’s a flower but only so an hour. then leaf subsides to leaf. so eden sank to grief,; so dawn goes down to day. nothing gold can stay. (from "nothing gold can stay" by robert frost) 4. at sestos hero dwelt; hero the fair, whom young apollo courted for her hair, and offered as a dower his burning throne, where she should sit for men to gaze upon. the outside of her garments were of lawn, the lining purple silk, with gilt stars drawn; (from "hero and leander" by christopher marlowe) quatrain couplet octave sestet