Read the excerpt from chapter 31 of The Awakening.

He looked around, and began to turn out some of the lights.
"What about upstairs?" he inquired.
"I think it is all right; but there may be a window or two unlatched. We had better look; you might take a candle and see. And bring me my wrap and hat on the foot of the bed in the middle room."
He went up with the light, and Edna began closing doors and windows. She hated to shut in the smoke and the fumes of the wine. Arobin found her cape and hat, which he brought down and helped her to put on.
What does this excerpt reveal about the role Arobin has taken in Edna’s life?
In Leonce’s absence, Arobin has become Edna’s substitute husband.
Arobin has become her closest confidante and most trusted friend.
Edna views Arobin as her perfect mate and feels at ease with him.
Arobin has become the new lord of the house on Esplanade Street.

(1) fire extended humans’ geographical boundaries by allowing them to travel into regions that were previously too cold to explore. (2) it also kept predators away, allowing early humans to sleep securely. (3) fire, in fact, has been a significant factor in human development and progress in many ways. (4) other obvious benefits of fire are its uses in cooking and in hunting. (5) probably even more important, however, is that learning to control fire allowed people to change the very rhythm of their lives. (6) before fire, the human daily cycle coincided with the rising and setting of the sun. (7) with fire, though, humans gained time to think and talk about the day’s events and to prepare strategies for coping with tomorrow. the sentence that expresses the main idea is: (type the number of the sentence. then click “go.”)

What word or phrase is modified by the prepositional phrase in the sentence below? marisol's puppy likes napping under the couch because it is warm and cozy

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.