Write a script of at least 500 words in which the two characters analyzed above appear in a new context or narrative. Each character should relate his or her personal tale from a first-person perspective in the dialogue. As you write, consider how to maintain recognizable characters, consistent with Chaucer's original pilgrims, when these figures are placed in a new context. The dialogue of the script is how the narrative is revealed. Your writing should establish at least three character traits per character, in order to ensure well-rounded character development.
THE STORY MUST BE CREATED AND HAVE TWO CHARACTERS AND A NARRATOR, SIMILAR TO THE CANTERBURY TALES
PLEASE A NEED HELP!

in this passage from "animal farm", by george orwell, the statement that best explains how boxer's response supports the author's purpose in writing an allegory is option b) orwell uses boxer's decision to avoid more carnage by working hard to show how the working class was manipulated. boxer and the other animals feel they are responsible for their carnage because napoleon uses propaganda to manipulate the animals of the farm.

explanation:

11-32. the main character in the parable, the forgiving father, whose character remains constant throughout the story, is a picture of god. in telling the story, jesus identifies himself with god in his loving attitude to the lost. the younger son symbolizes the lost (the tax collectors and sinners of that day, luke 15: 1), and the elder brother represents the self-righteous (the pharisees and teachers of the law of that day, luke 15: 2). the major theme of this parable seems not to be so much the conversion of the sinner, as in the previous two parables of luke 15, but rather the restoration of a believer into fellowship with the father. in the first two parables, the owner went out to look for what was lost (luke 15: 1-10), whereas in this story the father waits and watches eagerly for his son's return. we see a progression through the three parables from the relationship of one in a hundred (luke 15: 1-7), to one in ten (luke 15: 8-10), to one in one (luke 15: 11-32), demonstrating god’s love for each individual and his personal attentiveness towards all humanity. we see in this story the graciousness of the father overshadowing the sinfulness of the son, as it is the memory of the father’s goodness that brings the prodigal son to repentance (romans 2: 4).

1. read the following excerpt from franklin d. roosevelt's "fireside chat 19":

on the other side of the picture, we must learn also to know that guerilla warfare against the germans in, let us say serbia or norway, us; that a successful russian offensive against the germans us; and that british successes on land or sea in any part of the world strengthen our hands.

remember always that germany and italy, regardless of any formal declaration of war, consider themselves at war with the united states at this moment just as much as they consider themselves at war with britain or russia. and germany puts all the other republics of the americas into the same category of enemies. the people of our sister republics of this hemisphere can be honored by that fact.  

the true goal we seek is far above and beyond the ugly field of battle. when we resort to force, as now we must, we are determined that this force shall be directed toward ultimate good as well as against immediate evil. we americans are not destroyers — we are builders.

analyze the effectiveness of this excerpt. how does it function within the speech as a whole? how does the structure of the excerpt to convey the speech's purpose and key points? support your argument with evidence from the speech. (10 points)

this answer to this question is c. allegory

why?

stories with allegories have a hidden symbolic meaning with a theme. the hidden meaning can be political, or other real life problems.