Which statement is true about egyptian, mesopotamian, and roman relief sculpture? a. they were carved on flat surfaces like tomb and palace walls and columns. b. they were made by attaching wooden figures to stone backgrounds. c. they were made by pouring plaster into molds. d. they can be seen from all sides.

a. they were carved on flat surfaces like tomb and palace walls and columns.

Explanation:

Reliefs carved on the stone walls of the buildings were usual in ancient Egypt, Mesopotamia, and various Middle Eastern relief cultures. The Egyptians showed cautiously modeled figures erecting from the ground generally in low relief. They showed figures standing sideways which contained within a sharply engraved outline. Such high respites first became popular in ancient Greece. Attic tomb reliefs showed specific figures or personal groups from the fourth century BCE. They used the sculptured friezes to decorate the Parthenon and various classical temples. The Roman tombs were prominent for art relief sculptures during the period of second and third centuries CE.

i don't see any right answer. i don't know english and only math

awnser: the oxford dictionary of quotations (oup 1970) has 66 pages of quotations

attributed to the writings of william shakespeare in which there are 2369 quotations,

which may reflect well over 5000 speeches, discussions, observations and comments

that are present in shakespeare’s work. it is largely from those speeches and discussions

on shakespeare’s 37 plays, as well as his, and others’ poems, that examples have been

taken here.

in this book all quotations from his poems and plays have been taken from various

editions of the arden shakespeare.

the writer is very much indebted to the rapid response provided by his son, henry

audley-charles , for cries of , guidance, advice and repairs to his ageing pc, that

henry provided at all hours. without this assistance over the last 3 years this book

could not have been written.

in addition, the writer is much for the kind by discussion and proof readings from

elizabeth macbeth and janet hulse; and for his knowledge of shakespeare’s plays and

poems in discussions with monsieur francis saillart; and especially for years of proof

reading, support and with this book from my wife brenda amy cordeiro. above

all, the debt i owe is to professor david price, vice provost research. he has acted as

the editor and the guide for the whole project. this has been far from easy with

changes repeatedly being made by the author and which continued after professor price

had provided all the editorial structure for this project.