"Cassie, you know 'bout Mitchell?" I asked her.

"Course I know about Mitchell," she answered. "Why're you letting him beat up on you?"

"I'm not letting him!" I exclaimed in outrage. "You thinking I'm liking him beating up on me?"

"Well, if you're not, you'd better make him stop."

"Well, I'm trying."

"Well, you'd better try harder."

"I've tried fighting back, but he's too strong. Thing is, I don't know how to stop him."

"You'd better figure a way," she said matter-of-factly, then looked me in the eyes. "You want me to talk to him?"

I didn't even need to think on that. "Naw, course not! You did, then they'd all be saying I had my sister fighting my battles!"

Cassie shrugged. "Then you'd better figure something out quick."

—The Land,
Mildred D. Taylor

What kind of conflict is Paul, the narrator, having in this excerpt?

physical – character vs. society
physical – character vs. character
social – character vs. self
social – character vs. nature

Whigh sentence represents a sequence of events where the understanding comes prior to completion of the homework

For the word below, click on the drop-down arrows to select the root and its meaning. version

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.