Excerpt from The Story of an Hour
Kate Chopin
She wept at once, with sudden, wild abandonment, in her sister's arms.
Which is the BEST revision of this sentence from Section 2?
A) No revision is needed.
B) She wept at once with sudden wild abandonment in her sister's arms.
C) She wept at once with sudden, wild abandonment in her sister's arms.
D) She wept at once with sudden wild abandonment, in her sister's arms.
Answers: 1
English, 21.06.2019 16:30
"the trouble is," sighed the doctor, grasping her meaning intuitively, "that youth is given up to illusions. it seems to be a provision of nature; a decoy to secure mothers for the race. and nature takes no account of moral consequences, of arbitrary conditions which we create, and which we feel obliged to maintain at any cost." what larger idea is the doctor referring to when he says that nature takes no account of moral consequences? impulses often overrule a person’s sense of good and bad. nature forces women into motherhood. young people are prone to having delusions. morals play no role when we choose who we love.
Answers: 3
English, 22.06.2019 04:50
Which form does a verb take when the subject receives the action? passive active imperative indicative
Answers: 2
English, 22.06.2019 05:20
Plz which of the following is true about third-person limited point of view? it uses the word i, and one character tells the story. it uses the word you and makes the reader feel a part of the story. the narrator is not part of the story and only states the characters' actions and speech. the narrator is not part of the story but knows what one character is thinking and feeling.
Answers: 1
English, 22.06.2019 08:40
Prompt: read the letter to the editor "i, too, have a dream." how does the writer use structure and language to persuade her readers and support her feelings about immigration? write an essay using evidence from the letter to answer the question.
Answers: 2
Excerpt from The Story of an Hour
Kate Chopin
She wept at once, with sudden, wild...
Kate Chopin
She wept at once, with sudden, wild...
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