PART B: Which detail from the text best supports the answer to Part A?

A
“It used to feel too big / and mostly abandoned, leftover land between / neighboring cul-de-sacs” ( Lines 1-3)
B
“Was there ever any glory there? I can remember / a few humid evenings through the crack of the back door.” ( Lines 11-12)
C
“Twilight hanging like a velvet curtain, the thinning / pine trees at least only silhouettes.” ( Lines 13-14)
D
“scraping off the meat of the leaves with their teeth / and just casting the rest away.” ( Lines 18-19)

what play?

explanation:

there is no play

in this passage from chapter 6 of "animal farm", by george orwell, what the author is ridiculing in this passage is the frivolity of some rules.

clover, the mare, believes she remembers that the fourth commandment forbade sleeping in beds because it was something that humans did. snowball, napoleon, and the pigs are brain-workers who look after the welfare of the farm. they are the obvious leaders because they are smart, and so they are entitled to eat the best food and sleep in beds. it is squealer, who says these lines making the difference between sleeping with sheets, what humans do, and sleeping in beds, what pigs do. the unwillingness to question authority makes the oppressed to obey without thinking.

one thousand and one nights, also known as arabian nights is a collection of stories whose basic structure is that of embedded narrative. this technique refers to a main story which works as the common frame - or framing narrative - for the other stories, and then this series of stories which are connected to the main one. this technique can also be referred to as a story within a story. the stories stem from the original tale, some begin and end on their own, some are connected to the previous or following one, by means of questions that are answered in the subsequent tale, or characters which reappear.