English, 07.04.2020 02:48 darkghostmist
Peter. I suppose you miss your friends and all. Anne. It isn't just . . . (She breaks off, staring up at him for a second.) Isn't it funny, you and I? Here we’ve been seeing each other every minute for almost a year and a half, and this is the first time we've ever really talked. It helps a lot to have someone to talk to, don't you think? It helps you to let off steam. (continued) Explain how this passage shows the theme, “It is important to have someone you can share your feelings with.” Use details from the passage in your answer.
Answers: 2
English, 21.06.2019 16:00
According to the author, what effect do the mounds mostly have on current society
Answers: 1
English, 21.06.2019 19:00
Analyze the central conflict and its in a story to discover the theme. resolution protagonist antagonist character
Answers: 2
English, 22.06.2019 00:30
The story line remains the same. the kids live in what was then one of the remaining beachfront slums, down the coast from the expensive malibu area. the beach was ruled by surfers, but in the afternoon, when the waves died down, some of the surfers, or their younger brothers, fooled around on skateboards. one day, skip engblom, the shop owner, comes up with a key breakthrough, polyurethane wheels: "they grip." with the additional traction, the z-boys try skating the sides of the big, open drainage canal that runs through the area. then comes a brainstorm: because of a drought, the area's swimming pools were drained. the kids started "borrowing" pools when the owners weren't home, to skate the curved sides.” where did “the lords of dogtown” originally practice their tricks? a. the beach c. an open drainage canal b. empty pools d. none of these
Answers: 3
English, 22.06.2019 02:30
The first step in making a mental model for a compare-and-contrast text is a. comparing the two things being described. b. finding important details in the text. c. contrasting the two things being described. d. connecting details to what is already known.
Answers: 2
Peter. I suppose you miss your friends and all. Anne. It isn't just . . . (She breaks off, staring u...
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