In the first section, the author contrasts road racing with other athletic competitions A) to show that road racing is far superior to other sports. B) to show that almost anyone can participate in road racing. C) to explain to the reader why the race is run on a holiday. D) to emphasize the rigorous training required to excel road racing.

B). To show that almost anyone can participate in road racing.

Explanation:

As per the question, the author presents a contrast between the road racing and other athletic competitions in the first section with the chief aim 'to show that almost anyone could take part in road racing' as compared to other competitions of athletics where a nominal amount candidates are selected based on various parameters. The author's point of view could easily be inferred through the statement where he asserts that 'nearly everywhere red, white, and blue is seen down the Peachtree Street' as the presence of each color there signifies that road racing does not exclude anyone and offers almost every individual with an opportunity to participate and show their skills and talent to the world. Thus, option B is the correct answer.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran

i really dont know the answer so i cant