Read this passage:
Janice doesn't think its a good idea to take you're camera
in the water. She thinks your going to ruin it's lens.
Which revision corrects the misspelled words in the passage?
(OA. Janice doesn't think it's a good idea to take you're camera in the
water. She thinks you're going to ruin it's lens.
B. Janice doesn't think it's a good idea to take your camera in the
water. She thinks you're going to ruin its lens.
O
C. Janice doesn't think its a good idea to take you're camera in the
water. She thinks you're going to ruin its lens.
D. Janice doesn't think its a good idea to take your camera in the
water. She thinks your going to ruin its lens.

B. Janice doesn't think it's a good idea to take your camera in the

water. She thinks you're going to ruin its lens.

Explanation:

the term your in "your camera" is used correctly and the term you're in "you're going to ruin its lens" is also used correctly

me before you gives us insight of life meaning in unique way. it answers question about what kind of life you want and people’s struggle to be in the ideal condition of worth living. the author, jojo moyes, was intrigued by the case of daniel james who persuaded to end his life after suffering for years.

it begins with louisa clark, a girl with boring life, lose her job at the café and start to stand on her feet by applying job as a private carer of disable man. the near location and the money they offer push her to come to the castle where the interview conducted. she was doubted by camilla traynor, a mother of quadriplegic man, with her inexperience but somehow, she is fully gain employed by camilla and her husband, steven traynor.

on the other hand, will traynor, the disable man louisa take care of, is not an easy man to catch. he has sharp comments with everything she has done and seems unreachable. as time passed by, will become more open to louisa and they start to communicate better. that is until will has his sister, georgina, visited.

brainliest .

nobody can answer this if you dont show us the shapes