What evidence supports the idea that the narrator's motivation is intrinsic?

Asked an incomplete question. Here's the full question:

What evidence supports the idea that the narrator's motivation is intrinsic?

Read the passage from "Two Kinds."

Last week I sent a tuner over to my parents' apartment and had the piano reconditioned, for purely sentimental reasons. My mother had died a few months before and I had been getting things in order for my father, a little bit at a time. I put the jewelry in special silk pouches. The sweaters she had knitted in yellow, pink, bright orange—all the colors I hated—I put those in moth-proof boxes. I found some old Chinese silk dresses, the kind with little slits up the sides. I rubbed the old silk against my skin, then wrapped them in tissue and decided to take them home with me.

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A. "Last week I sent a tuner over to my parents' apartment and had the piano reconditioned, for purely sentimental reasons."

B. "My mother had died a few months before and I had been getting things in order for my father, a little bit at a time."

C. "I put the jewelry in special silk pouches. The sweaters she had knitted in yellow, pink, bright orange—all the colors I hated—I put those in moth-proof boxes."

D. "I found some old Chinese silk dresses, the kind with little slits up the sides."

Explanation:

The correct answer is;

A. "Last week I sent a tuner over to my parents' apartment and had the piano reconditioned, for purely sentimental reasons."

Note that intrinsic motivation is a motivation that is triggered from within (internally) of an individual. Here the intrinsic factor of motivation according to the narrator is "purely sentimental reasons."

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one thousand and one nights, also called the arabian nights is a collection of middle eastern tales compiled in arabic during the islamic golden age, dated from the 8th to the 14th century. this collection was compiled of largely middle eastern and indian stories with an uncertain date and autorship whose tales such as aladdin, ali baba and sinbad the sailor -these ones were the most popular ones, the ones that have almost become part of western folklore.

as in much medieval european literature, the stories contained in this collection are set within a frame story. its scene is central asia, as known as "the islands or peninsulae of india and china", where king shahryar kills his wife after discovering her infidelities and as well as any other who betrayed him.   then, loathing all womankind, he marries and kills his new wife each day until no more candidates could have been found. his vizier had two daughters, scheherezade and dunyazad. the elder one -scheherezade- having devised a scheme to save herself and the others insisted that her father needed to give her in marriage to the king. each evening, she used to tell a story leaving it incomplete and promising to finish it the following night. the stories kept the king very interested, so eager to hear evey ending of each story, that he puts off her execution from day to day and finally he decided to give up with his plan. these stories are contained within the collection of 1001 nights, the bulk of the text is in prose, although verse is usually used for songs and riddles to express better the heightened emotion of them.