Read the lines from "Harlem." Maybe it just sags like a heavy load. Read the lines from "The Weary Blues." He did a lazy sway . . . He did a lazy sway. Which best describes the relationship between these lines

The correct answer is D) The lines from "Harlem" and the lines from "The Weary Blues" both provide details using the sense of sight.

The other options of the question were A) The lines from "Harlem" provide sensory details, and the lines from "The Weary Blues" do not. B) The lines from "Harlem" and the lines from "The Weary Blues" both provide details through personification. C) The lines from "Harlem" provide details using the sense of sight, and the lines from "The Weary Blues" provide details using the sense of touch.

The statement that best describes the relationship between these lines is

the lines from "Harlem" and the lines from "The Weary Blues" both provide details using the sense of sight.

When an author uses sensory elements, it wants the reader to "feel, sense, see, or taste" what the author is writing. This is a good way to describe some action, place, moment or situation so the reader can "transport" to that moment of the story. That is the case of the lines of "Harlem" and "The Weary Blues."

anyone who was dealing with communism in soviet union in his time had an ideal picture of equality, freedom, the struggle of the working class for a better future, the success of the aristocracy's overthrow and the emancipation of subjugation.   however, anyone who would go to soviet union to see the functioning of the communist system, would be convinced that it was about sad people, about everyday bad life, about the brutal attitude of communist leaders, about ill obsession to completely exterminate every thought on aristocracy. thus, orwell wanted to show all the absurdity, the brutality of the system, the unbearable rule of suspicious morality, the ignorant people who try to play professionally.

the answers are: b. and e.

shakespeare was famous for writing in iambic pentameter, which is a specific way of rhyming sonnet lines in ten syllables. there are also forms of unrhymed iambic pentameter, as in macbeth, with the noble characters.