Match each archetype to the correct plot.
tiles
voyage and return
tragedy
rebirth
rags-to-riches
overcoming the monster
pairs
king lear by william shakespeare: an aging king steps down from the throne and slowly goes insane. during that time, others compete for the throne. ultimately, most of the characters are killed.
arrowboth
great expectations by charles dickens: an orphan goes to live in the home of a wealthy woman, who him earn an apprenticeship with a blacksmith.
arrowboth
alice in wonderland by lewis carroll: a young girl falls down a rabbit hole and encounters a variety of creatures and challenges as she attempts to return home.
arrowboth
beowulf. a brave danish warrior accepts the challenge of defeating the monster grendel in order to protect his country.
arrowboth
a christmas carol by charles dickens: a mean-spirited old man laments the holiday season. however, after several ghosts visit him, he realizes the importance of family and friends. he buries his mean-spiritedness and changes his ways.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran

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