Which excerpt from dispatches contains a paradox?

a.) and at night, all of it seemed more possible. at night in khe sanh, waiting there, thinking about all of them (40,000, some said), thinking that they might really try it, could keep you up.
b.) if they did, when they did, it might not matter that you were in the best bunker in the dmz, wouldn’t matter that you were young and had plans, that you were loved, that you were a noncombatant, an observer.
c.) because if it came, it would be in a bloodswarm of killing, and credentials would not be examined.
d.) anxiety was a luxury, a joke you had no room for once you knew the variety of deaths and mutilations the war offered

Ineed it now in this discussion you will use what you learned about the poems "will there really be a 'morning'? ", "i dwell in possibility", and "ozymandias" to compare how both dickinson and shelley used form - lines, capitalization, and punctuation - to bring meaning to the poems. let's check out one of your classmate's posts: in both "will there really be a 'morning'? " and "i dwell in possibility," emily dickinson capitalizes the words in the poem that tell the reader what to focus on in the poem. shelley also capitalizes words that are not names. these must be important to the meaning of the poem. create one post that compares how both dickinson and shelley use form - lines, capitalization, and punctuation - to bring meaning to the poems "will there really be a 'morning'? ", "i dwell in possibility", and "ozymandias".