Stage

one:

bunnik

to

amsterdam

 

our

first

cycling

stage

in

holland

will

be

a

38

mile

(60

km)

ride

from

bunnik

to

amsterdam.

bunnik

lies

in

the

centre

of

the

netherlands

surrounded

by

rolling

woodland,

winding

rivers,

picturesque

houses

and

fields

of

tulips.

for

part

of

the

journey,

we’ll

be

cycling

alongside

the

‘crooked

rhine’

river.

admittedly

the

bends

will

slow

us

down

a

bit,

but

in

the

later

stages

there

are

several

long

straights

on

which

we’ll

be

able

to

make

up

time.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects