Rewrite the following passage, restoring the appropriate punctuation marks.
reproducing beautiful historic wallpapers calls for the finesse of a master craftsman. establishing a particular papers full pattern is no childs play the expert may have to fit together the fragments of surviving samples which he may find in museums in the basement of old houses and even under layers of other wallpapers. he manages to determine the shade of the colours in many ways he runs chemical tests or carefully matches a fragment to a fresh original in a museum. as a final precaution he makes a “backlight” examination for details of this brief history refer to john oslos 19th century american history especially the chapter entitled the wallpaper frenzy in early american history. the author stated there are more details i will add in the next edition.

the answer would be b. john reed throws a book at her

come on, now. don’t deny me the thing that even this little flea has had. you didn't lose anything when the flea bit you, did you? hey, our blood is already mixed in the flea’s blood. what’s stopping you now? the mixing of bloods in the flea is not some sin or loss that you have to account for. don’t you see how foolish it is to deny ourselves the pleasure that the flea has indulged in without even asking our permission?

the meaning becomes clearer in this more complex modern translation of the lines from "the flea." the speaker is presenting an argument to his mistress for why they should engage in premarital sex. in keeping with the social codes of the time, she believes it is a sin and is shameful.

however, the effect of john donne’s conceit is toned down in this version. the jarring notes of the opening lines that engage the reader's attention are also missing in this rewritten version. the erotic undertone in the original lines that tend to tease rather than bluntly state facts is lost in the translated version as well.