Read the excerpt below and answer the question.

old major was an old boar who lived on manor farm. one morning, he called the other animals on the farm together for a meeting. he gave a rousing speech. in his speech, he compared humans to parasites. he also taught the animals a hymn called "beasts of england." two pigs named napoleon and snowball adapted old major’s ideas into a philosophy they called animalism. on the wall of the barn, they wrote the seven commandments of animalism: whatever goes upon two legs is an enemy. whatever goes upon four legs, or has wings, is a friend. no animal shall wear clothes. no animal shall sleep in a bed. no animal shall drink alcohol. no animal shall kill any other animal. all animals are equal.

in at least one hundred words, use parallel structure and different types of clauses to summarize the excerpt above and give it a more varied and interesting flow.

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explanation:

awnser:

over the two days of the convention, presided over by lucretia’s husband james mott, the declaration of sentiments was read and its resolutions debated. the ninth resolution continued to be the most controversial, particularly because the attendees were predominantly quaker, and quaker men often declined to vote. freed slave and newspaper editor frederick douglass argued for approval of the resolution and convinced the audience of its necessity. at the end of the convention, about 100 of the attendees signed the declaration, although some removed their names later due to criticism.

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the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran