How does varick react when tessa learns she can't film at the la brea tarpits museum? before varick gets a chance to come up with an alternative solution, tessa comes up with a suggestion. varick appears concerned, but says nothing when tessa puts her planning binder away. varick watches tessa pace because he is sure that she will think of a new idea. at first varick is sympathetic, but then he has nothing to offer tessa as a solution to the problem.

images of intense weather events

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

tom robinson he was a black man that was accused of raping caucasian woman, and an idealistic lawyer offers to defend him. which makes nobody believe in the innocence of a negro.