If perticuliar care and attention is not paid to the laidies we are determined to foment a rebelion, and will not hold ourselves bound by any laws in which we have no voice, or representation. which excerpt from "ain't i a woman? " best supports adams’s view? then that little man in black there, he says women can’t have as much rights as men, ’cause christ wasn’t a woman! where did your christ come from? nobody ever me into carriages, or over mud-puddles, or gives me any best place! and ain’t i a woman? if the first woman god ever made was strong enough to turn the world upside down all alone, these women together ought to be able to turn it back, and get it right side up again! and now they is asking to do it, the men better let them. look at me! look at my arm! i have ploughed and planted, and gathered into barns, and no man could head me! and ain’t i a woman? i could work as much and eat as much as a man – when i could get it – and bear the lash as well!

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects