In at least 150 words, from the story two kinds tell how the daughter changes over time

Explanation:

In “Two Kinds” by Amy Tan Jing-Mei grows from an obedient child into an independent young woman.

As a young girl she shares her mother’s enthusiasm for the American dream. When her mother explains the opportunities in America and how June could be a prodigy, the little girl willingly participated in her mother’s plans. Together they watch shows, and read magazines about child prodigies.

In fact, in the beginning I was just as excited as my mother, maybe even more so. I pictured this prodigy part of me as many different images, and I tried each one on for size.

June based her self-worth on pleasing her mother and becoming the perfect child.

In all of my imaginings I was filled with a sense that I would soon become perfect.

Suyuan choose the piano as June’s talent. When June realizes the amount of practice needed to become a talented pianist she begins to question her mother’s motives. June is aware she does not have the innate talent of a prodigy. She fails during her piano recital and her internal conflict comes to light. The internal conflict soon surfaces during an argument with her mother, and creates a wedge between the pair. As June advances through school, she is determined to be perfectly average. Her grades are mediocre, and she flounders in college.

It was not the only disappointment my mother felt in me. In the years that followed, I failed her many times, each time asserting my will, my right to fall short of expectations. I didn't get straight As. I didn't become class president. I didn't get into Stanford. I dropped out of college.

At the beginning of the story, June is a little girl who sees life through her mother’s eyes but soon decides to assert her individualism in spite of her mother’s feelings. At the end of the story, June plays two musical pieces on the piano. The compositions entitled “Perfectly Contented” and “Pleading Child” are symbolic of her life.

source text: from the sketch here given it will be seen, that our good grandmothers differed considerably in their ideas of a fine figure, from their scantily dressed descendants of the present day. a fine lady, in those times, waddled under more clothes even on a fair summer's day, than would have clad the whole bevy of a modern ball room. nor were they the less admired by the gentlemen in consequence thereof. on the contrary, the greatness of a lover's passion seemed to increase in proportion to the magnitude of its object—and a voluminous damsel, arrayed in a dozen of petticoats, was declared by a low-dutch sonnetteer of the province, to be radiant as a sunflower, and luxuriant as a full blown cabbage. certain it is, that in those days, the heart of a lover could not contain more than one lady at a time; whereas the heart of a modern gallant has often room enough to accommodate half a dozen - - the reason of which i conclude to be, either that the hearts of the gentlemen have grown larger, or the persons of the ladies smaller — this however is a question for physiologists to determine. add punctuation to the following excerpt. writing under the name of diedrich knickerbocker washington irving aimed his potent satire at as diverse topics as political rivals such as thomas jefferson to the very ideal of looking back on the past affectionately: a fine lady, in those times, waddled under more clothes even on a fair summer's day, than would have clad the whole bevy of a modern ball room. a voluminous damsel, arrayed in a dozen of petticoats, was declared by a low-dutch sonnetteer of the province, to be radiant as a sunflower, and luxuriant as a full blown cabbage. in those days, the heart of a lover could not contain more than one lady at a time; whereas the heart of a modern gallant has often room enough to accommodate half a dozen

greet them:

buenas noches.

that is considered night time which is when "good night" is used.