1. deals with a serious subject exposition 2. often amuses an audience tragedy 3. the sequence of actions in a play theme 4. the part of a play that presents necessary introductory information monologue 5. the message or underlying meaning of a play protagonist 6. the main character in a play dialogue 7. the unique way in which an author expresses himself stage directions 8. the responsibility of the stage designer structure 9. the design or pattern of a play setting 10. used by the playwright to explain the way something is to be done style 11. a speech given by a character alone or on stage plot 12. the words spoken by the actors comedy

dude, * is in your own words, not mine.

* = the answer

> the hunger games

> divergent

> caraval

> and i darken (depends on age range)

> strange the dreamer

> red queen

> the grisha trilogy

> six of crows

> the star-touched queen

b is the answer.   i sat on the lumpy sofa, totally exhausted, with a bad taste in my mouth, wondering what i should do next.  

to eliminate ambiguous remote or broad reference it is necessary to focus on anaphoric reference. by definition "anaphoric reference means that a word in a text refers back to other ideas in the text for its meaning." the references should be clear and leave no room for ambiguity.

in the first case the pronoun it probably refers to the car but it has not been mentioned before so we should replace it for the car. in doing so the statement becomes clear.

in sentence number   two   the pronoun he refers to charles dickens the author. yet, the first half of the sentence is about the book a tale of two cities. to repair this it would be better to rephrase the first half : after i read   a tale of two cities by dickens, he so as to remove the remote reference.