In this excerpt from herman melville’s short story "the lightning-rod man," which two sentences or phrases best support an objective summary of the excerpt? hark! there go all the granite taconics and hoosics dashed together like pebbles. by the sound, that must have struck something. an elevation of five feet above the house, will protect twenty feet radius all about the rod. only twenty dollars, sir—a dollar a foot. hark! —dreadful! —will you order? will you buy? shall i put down your name? think of being a heap of charred offal like a haltered horse burnt in his stall; and all in one flash! " "you pretended envoy extraordinary and minister plenipotentiary to and from jupiter tonans," laughed i; "you mere man who come here to put you and your pipestem between clay and sky, do you think that because you can strike a bit of green light from the leyden jar, that you can thoroughly avert the supernal bolt? your rod rusts, or breaks, and where are you? who has empowered you, you tetzel, to peddle round your indulgences from divine ordinations? the hairs of our heads are numbered, and the days of our lives. in thunder as in sunshine, i stand at ease in the hands of my god. false negotiator, away! see, the scroll of the storm is rolled back; the house is unharmed; and in the blue heavens i read in the rainbow, that the deity will not, of purpose, make war on man's earth."

Select the contred text in the passage which sentence in this excerpt from john galsworthy's narrative essay "gone" reflects his view that there is no afterlife? an old woman and mrs. herd's sister were in the sitting-room, they showed us to the crazy, narrow stairway. though we lived distant but four hundred yards of a crows flight, we had never seen mrs. herd before, for that is the way of things in this land of minding one's own business a slight dark girlish-looking woman, almost quite refined away, and with those eyes of the dying, where the spirit is coming through, as it only does when it knows that al is over except just the passing. she lay in a double bed with clean white sheets. a white-washed room, so low that the ceiling almost touched our heads, some flowers in a bow, the small lattice window open. though it was hot in there, it was better far than the rooms of most families in towns, living on a wage of twice as much, for here was no sign of defeat in decency or cleanliness. in her face, as in poor herd's, was that same strange minging of resigned despair and almost eager appeal, so terrible to disappoint. yet, trying not to disappoint it, one felt guilty of treachery: what was the good, the kindness in making this poor bird flutter still with hope against the bars, when fast prison had so surely closed in round her? but what else could we do? we could not give her those glib assurances that naive souls make so easily to others concerning their after state. and the night was so beautiful, so utterly glamourously beautiful, with its star-flowers, and its silence and its trees clothed in moonlight. all was tranquil as a dream of sleep. but it was long before our hearts wandering with poor herd, would let us remember that she had slipped away into so beautiful a dream

How does a wilted rose represent/symbolizes dark romanticism

In at least one hundred words, discuss how the man with the umbrella in sorrentino’s “there’s a man in the habit of hitting me on the head with an umbrella” is an example of an extended metaphor and what central theme he conveys.