Read the excerpt from "harrison bergeron." scrap metal was hung all over him. ordinarily, there was a certain symmetry, a military neatness to the handicaps issued to strong people, but harrison looked like a walking junkyard. in the race of life, harrison carried three hundred pounds. and to offset his good looks, the h-g men required that he wear at all times a red rubber ball for a nose, keep his eyebrows shaved off, and cover his even white teeth with black caps at snaggle-tooth random. how does harrison bergeron’s physical description to create satire? a. the contrast of military neatness with harrison’s appearance highlights the importance of sameness. b. the absurdity of harrison’s exaggerated handicaps ridicules society’s obsession with equality. c. the humorous description of harrison’s appearance suggests that good looks are unimportant. d. the numerous handicaps issued to harrison criticize society’s obsession with superficial appearances.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects