Which line in the poem london, 1802 by william wordsworth uses metonymy to refer to art and literature? milton! thou shouldst be living at this hour: england hath need of thee: she is a fen of stagnant waters: altar, sword, and pen, fireside, the heroic wealth of hall and bower, have forfeited their ancient english dower of inward happiness. we are selfish men; oh! raise us up, return to us again; and give us manners, virtue, freedom, power. thy soul was like a star, and dwelt apart: thou hadst a voice whose sound was like the sea: pure as the naked heavens, majestic, free, so didst thou travel on life's common way, in cheerful godliness; and yet thy heart the lowliest duties on herself did lay.

Reread paragraph 1 of “welcome to ‘rise of the knights.’” which word from the paragraph does not create a tone of enthusiasm?

If you are looking for the entry affiliation in the dictionary which words could you find at the top of the page? a) aedes aeropause b) aeriphagia afferent c) afiance aforetime d) afoul aflterthought

Read the excerpts from "the royal house of thebes" and "the story of a warrior queen." "we are women," she told her sister. "we must obey. we have no strength to defy the state." "choose your own part," antigone said. "i go to bury the brother i love." "you are not strong enough," ismene cried. "why, then when my strength fails," antigone answered, "i will give up." she left her sister; ismene dared not follow her. —"the royal house of thebes" again and again the romans were defeated, till it almost seemed as if the britons really would succeed in driving them out of the country. boadicea herself led the soldiers, encouraging them with her brave words. "it is better to die with honor than to live in slavery," she said. "i am a woman, but i would rather die than yield. will you follow me, men? " and of course the men followed her gladly. —"the story of a warrior queen" how are the archetypes presented in these two passages different? the first passage shows antigone as a warrior, and the second passage shows boadicea as a tragic heroine. the first passage shows antigone as a tragic heroine, and the second passage shows boadicea as a sage. the first passage shows antigone as a rebel, and the second passage shows boadicea as a warrior. the first passage shows antigone as a villain, and the second passage shows boadicea as a sage.