An accident again changed the current of my ideas. when i was about fifteen years old we had retired to our house near belrive, when we witnessed a most violent and terrible thunderstorm. it advanced from behind the mountains of jura, and the thunder burst at once with frightful loudness from various quarters of the heavens. i remained, while the storm lasted, watching its progress with curiosity and delight. as i stood at the door, on a sudden i beheld a stream of fire issue from an old and beautiful oak which stood about twenty yards from our house; and so soon as the dazzling light vanished, the oak had disappeared, and nothing remained but a blasted stump. when we visited it the next morning, we found the tree shattered in a singular manner. it was not splintered by the shock, but entirely reduced to thin ribbons of wood. i never beheld anything so utterly destroyed. what would have to change for there to be dialogue in this passage? fewer characters would have to appear. the passage would have to be shorter. more characters would have to appear. the passage would have to be scarier.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects