Companies, identified by Company ID and described by Company Name and Industry Type, hire consultants, identified by Consultant ID and described by Consultant Name and Consultant Specialty, which is multivalued. Assume that a consultant can work for only one company at a time, and we need to track only current consulting engagements. Draw an ERD for this situation. Now, consider a new attribute, Hourly Rate, which is the rate a consultant charges a company for each hour of his or her services. Redraw the ERD to include this new attribute. Now, consider that each time a consultant works for a company, a contract is written describing the terms for this consulting engagement. Contract is identified by a composite identifier of Company ID, Consultant ID, and Contract Date. Assuming that a consultant can still work for only one company at a time, redraw the ERD for this new situation. Did you move any attributes to different entity types in this latest situation? As a final situation, now consider that although a consultant can work for only one company at a time, we now need to keep the complete history of all consulting engagements for each consultant and company. Draw an ERD for this final situation. Explain why these different changes to the situation led to different data models, if they did.

Work with a monitor that’s calibrated and profiled. for critical image editing, calibration and profiling are essential. otherwise, the image you see on your monitor looks different on other monitors or when printed.plan to use adjustment layers to adjust the tonal range and color balance of your image. adjustment layers let you go back and make successive tonal adjustments without discarding or permanently modifying data from the image layer. keep in mind that using adjustment layers adds to the file size of the image and demands more ram from your computer. accessing the color and tonal commands in the adjustments panel automatically creates adjustment layers.if you don’t want to use adjustment layers, you can apply adjustments directly to an image layer. remember that some image information is discarded, when making a color or tonal adjustment directly to an image layer.for critical work and maximum preservation of image data, it’s best if the image you work with is 16 bits per channel (16‑bit image) rather than 8 bits per channel (8‑bit image). data is discarded when you make tonal and color adjustments. the loss of image information is more critical in an 8‑bit image than a 16‑bit image. generally, 16‑bit images have a larger file size than 8‑bit images.duplicate or make a copy of the image file. working on a copy of your image preserves the original in the event you want to use the image in its original state.remove any flaws such as dust spots, blemishes, and scratches from the image before making color and tonal adjustments.open the info or histogram panel in expanded view. as you evaluate and correct the image, both panels display invaluable feedback on your adjustments.you can make a selection or use a mask to confine your color and tonal adjustments to part of an image. another way to apply color and tonal adjustments selectively is to set up your document with image components on different layers. color and tonal adjustments are applied to only one layer at a time. only the image components on the targeted layer are affected.

Idon't see any answer choices for your question, but the answer would to highlight the box, and drag the box to the box of choice (or do a simple copy and paste, and delete the old data).