Caravaggio actively used in which he painted forms emerging from a dark background into a strong light that often falls from a single source outside the painting linear perspective tenebrism grisaille ignudi

Symbolic proportion is a. the relative size relationship between religious figures and other part of a work of art. b. the apparent disproportionate relationship between objects within a piece. c. the manipulation of visual characteristics in order to emphasize one specific figure. d. the use of geometric arrangements to show religious imagery or to tell stories. select the best answer from the choices provided