Ihave a playing test tomorrow. any tips for practice? i color coded it to me remember stuff but it's not ! i'm freaking out

Keep playing it over and over again until you become very familiar with the piece. Make sure, however, that you are counting correctly while playing. Try not to rush, and keep a steady, even pace. Keep calm, and focus on the piece, and don't get distracted.
 
Practicing tips for the future: even if you do not have a lot of time, a few minutes of quality playing is much better than a lot of incorrect playing, such as poor mouth or finger position, or playing wrong notes or rhythms. Make sure that you are good on the rhythms and notes, tempo, dynamics, and any other specific details that are important.

Overall, proper practice and a steady tempo are very important. 

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.