Read this excerpt from Anne Frank Remembered. A small voice inside me asked, "What else?" I knew the Austrian was like stone. I had truly come to the end of my rope.

With measured steps, I walked toward the door to the building. Gestapo were everywhere in the corridors, like flies in fancy uniforms. Again the thought rang in my brain, People who enter this building do not always come out again. I put one foot in front of the other, waiting for someone to stop me.

Why does Miep choose to leave the building?

She has devised an alternate plan.
She is disgusted by the filthy facility.
She recognizes the futility of her effort.
She is concerned about returning to work

for many centuries, the catholic church has been a patron of the arts. the church has used various scientific methods to maintain its power.

not 100% sure though!

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.

c, d, e, f, g, a, b, and c.

sometimes western music will also use solfege. the names of these are do ra me fa sol la si (or ti) and do.

to indicate a note a half step higher or lower then the original note, you would say c # (for a half a step above c) or bb (for half a step below b)

the answer is work ethic something you dont have

and ban me aain euro u nerd