Start on a new song i never post them anywhere so heres one its called blossom. its a rap sing song type of thing kinda bad sorry its being edited Verse One:
Growing up living off ramen and kool-aid
You thought this song meant
Staying in to hide the fright
You’ll be sorry when I’m gone

Chorus:
My dad always nit-picking me
My inarticulate store bought hangover hobby kit
I just wanna be free
Because you kill me.

Verse Two:
I dont know the real me
No wonder it was never plugged in at all
Help me god please oh wait ive been begging he aint seen me
What you thought this song meant

Chorus:
My dad always nit-picking me
And you’ll ki. s,s me in your living room, oh
I just wanna be free
apologies are breaking me

Your answer is true : )

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.