I have no clue how to write this. I'm an actress not the playwrite! I'm so confsed WRITE A COMMEDIA SCENARIO OF YOUR OWN

•Amorosa and Amoroso are in love and everyday (WHAT HAPPENS EVERYDAY? EXPOSITION, DESCRIBE SITUATION HERE)

•Until one day they ask to get married and Pantalone and/or Il Dottore will not allow them to marry because… (WHY WON’T THE PARENTS ALLOW THEM TO MARRY?)

•Columbina & Arlechino get together and decide they have to do something to fix the situation because … (WHAQT SCHEME DO THEY THINK OF TO FIX THINGS?)

•So they plan … (SOMETHING SILLY)

•The plan gets mixed up and this happens instead… (SOMETHING CRAZY SILLY GOES WRONG, IT’S A MIX UP, WHAT?)

•And because of that this happens (SOMETHING AWFUL, WHAT HAPPENS IN REACTION TO THE MIX UP?)

•Until finally, this happens… (WHAT HAPPENS TO FINALLY FIX THINGS?)
•And after that day, this happens… (HOW IS EVERYTHING HAPPY?)

•And then happy ever after… (WHAT DOES HAPPY LIFE LOOK LIKE?)

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.