Module Six Art Critique (20 pts) Module Six Art Critique Instructions
Answer the following questions about the painting to the right
1 in at least four to five sentences describe
everything you see in the painting Observe how
many figures are depicted and how they are
arranged. Notice the objects in the background as
well Describe what you see, but don't analyze or
interpret the scene just yet. We'll address
interpretation in later critiques
2. Use the title to help you identify the subject
matter Review the Module One Lecture for
examples of the different categories of subjects.
3. Identify the degree of abstraction and briefly
explain how the artist used at least one element
(line, shape, value, color, texture, or space) to
establish that type of representation Review the
Module One Lecture for samples of abstraction,
and use the Modules Two through Five lectures if
you need to review the elements of art
4. Briefly explain how the technique of proximity
establishes the principle of unity in the painting.

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Explanation:

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.

i dont think it is true