First car looking like a lambo Spend 500 now the man broke
My engine keep blowing like a candle
More horse power than your grandma can handle
0 To 100 left a 12.5
Broke down 3 times no I ain't gon' lie
Seat belts don't work that's a hell of a ride
And I'm sorry about the smell
I think something died in here
Man I need some frebreze (some frebreze)
Broke the window so I'm sorry about the breeze (about the breeze)
Born in 94' car from 93'
My first car made before my parents made me
This ain't no drop top, this ain't no crew
Still I pull up straight flexing on you
My momma said I can stay past curfew
I got until 2, yeah
Oh baby I'ma pick you up
Hold on cause my doors don't shut

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.