Why did greeks abandon the new form? (of statues i think?)

Why do you think it took four different people to create a japanese woodcut? why didn't one person do all the work like most artists of today?

Which of these artists is particularly known for painting the madonna

Frank gehry’s guggenheim museum in bilbao, spain, and louise bourgeois’s sculpture maman exemplify many of the themes of this chapter. identify two of the elements or principles discussed in this chapter that either the architect or sculptor have used in creating their artwork. how have these artistic devices been employed, and what effect do they have on the viewer?