PLEASE HELP ASAP 15 POINTS. IF YOU HAVE A QUESTION PLEASE PUT IT IN THE COMMENTS SECTION OTHERWISE PEOPLE CAN'T GIVE THEIR ANSWER After attending the concert (doesn't matter just write hypothetically), write a five-sentence critique of the performance. Your report should contain the following general information.

Name of the performing group

Date and location of the performance

Start time and end time of the concert (must include both)

Obtain a program to verify attendance and add any other general detains that you feel necessary. Your review should include the following points:

List the specific individual works and describe them in detail. Keep in mind that a classical piece may contain movements.
Into what categories, such as Middle Ages, Renaissance, Modern Classical, and so on, do the pieces fit?

Memorable features such as fast/slow tempo, did it make you feel happy/sad, was the texture monophonic, polyphonic, or homophonic, did you hear a pleasing melody or was there dissonance, or any other feature of the performance that you felt was important.

PLEASE don't be a j*rk and just put random stuff just for the points.

I did this a few days ago.. so here..

Metropolitan Opera; The Magic Flute

January 17, 2019, Michigan Opera Theatre

8:00-10:30 p.m

Renaissance period

The play went on at a very quick tempo. Some pieces made me feel happy, while others made me sad. There were a couple points in the play where the Queen Of nIght was singing a dissonance piece. The notes just rubbed each other the wrong way. Most of the play was polyphonic.

The audience behaved well. There was no talking during the performance, clapping at the wrong moments, or video-taping.

Hope this helps :D Have a great day :3

ill be drinking my tea

Explanation:

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.