Read the paragraph below. Jonas entered the gym and waved to Fiona, his physical therapist. With her guidance, he walked across the floor with a walker, gently putting weight on his injured leg. Then he sat on the bench and lifted the weight she recommended. On the final repetition, he gritted his teeth in discomfort. Finally, he allowed her to demonstrate two new stretching exercises that would restore his flexibility. He tried each one dutifully and assured her that he would perform them every night.

What inference can be drawn about Jonas?

The patient has become friends with his therapist.
The patient is a competitive and talented athlete.
The patient is cooperative and determined.
The patient is frustrated with his slow progress.

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.