Story time Me and my brother were at our grandmothers house. I went to sleep on the guest bed my brother went to sleep on the couch.
I woke up at 4am to screaming. It was like someone was laughing and hitting someone while the other person told them to stop.
I couldn’t go back to sleep after this so I just stayed in bed.
Again at 5am I heard the screaming except this time it was moving with the same laugh.
So I woke up and asked my brother if he woke up at 4am
He said “ you heard the screaming to!?!”
That’s how I know it wasn’t a dream.
Ok that’s enough of story time.
If you made it this far free points
:)

nice story there very interesting and creepy at the same time.

oof did u ever find out what was the screaming coming from O.o

also ty for point ur awesome :) have a good day :)

Explanation:

one of the most things about dancing is really the genre. this is because in a dance routine you think about what you wanna dance about for example if ur genre was about horror the dancers could be based on a horror character

explanation:

perhaps donatello’s landmark work – and one of the greatest sculptural works of the early renaissance – was his bronze statue of david.  this work signals the return of the sculpture in the round figure, and because it was the first such work like this in over a thousand years, it is one of the most important works in the history of western art.

david is shown at a triumphal moment within the biblical storyline of his battle with the philistine, goliath.  according to the account, after david struck goliath with the stone from his slingshot, he cut off his head with goliath’s sword.  here, we see the aftermath of this event as david stands in a contemplative pose with one foot atop his enemy’s severed head.  david wears nothing but boots and a shepherd’s hat with laurel leaves on top of it, which may allude to his victory or to his role as a poet and musician.

before donatello’s work, david was typically depicted as a king, given his status in the old testament.  here, however, we have a stark change in the way david is depicted.  not only is he shown in the, but he’s also a youth.  in middle ages, nudity was not used in art except in certain moral contexts, such as the depiction of adam and eve, or the sending of souls off to the underworld.  in the classical world, was often used in a different, majestic context, such as with figures who were gods, heroes, or athletes.  here, donatello seems to be calling to mind the type of heroic nudity of antiquity, since david is depicted at triumphal point in the biblical narrative of his victory over goliath.

as for david’s youthfulness, donatello has gone back to the early life of the biblical david to depict him, rather than to his later life as a king.  it seems that donatello is trying to associate david’s youth with an innocent and virtuous life.  david looks young here – so young, in fact, that his muscles have barely developed enough to hold the large sword – that his victory over his foe is all the more improbable.  could david’s victory have been gained without divine intervention?   donatello’s work seems to imply that the answer is “no” – the victory was god’s rather than man’s.

in any case, donatello’s david is a classic work of renaissance sculpture, given its judaeo-christian subject matter modeled on a classical sculptural type.  it was revolutionary for its day – so much so that it did not get copied right away.  the idea of the life-sized sculpture-in-the-round evidently took some time to sink in and become an acceptable statue type