What is a sad poem to tell ur ex

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⠀⢰⣿⡟⠋⠉⣹⣿⡇⠀⠀⠀⠘⣿⣿⣿⣿⣷⣦⣤⣤⣤⣶⣶⣶⣶⣿⣿⣿ your a sus

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⠀⠀⠀⠀⠀⠀⠀⠈⠛⠻⠿⠿⠿⠿⠋⠁r

Explanation:

your a sus

I will never forget the days we once had

The days when you were everything to me

My mind used to tell me we'd be together forever

But now I realize that was all a big dream

The feelings I have for you will never go

I wish I could take back that one regretful day

The day when I willingly let you slide from my arms

Never did I think of the astonishing pain of regrets

That I would once have to live through

The sight of you in someone else's arms

Makes my heart shatter into a million pieces

I sometimes wonder if you still think of me

Or if to you, I'm just a face in the crowd

I wish so very much that one day we can have it all back

But for now, I'll sit here silently

Remembering all the memories we once shared

Everyday my love grows much stronger

Hoping that one day you will feel the same

And put back the pieces of my broken heart.

Explanation:

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.