Describe briefly the difference between the 3 methods of pottery consturction slab, pinch, and coil. WARNING 100 POINTS!

Pinching: (Pinch pots) are the simplest and oldest method of construction. They are made by rolling a ball, pressing your thumb in and pinching the pot until you get your desired form.

Coil: Have you ever made a snake with clay? This is the foundation of coil construction. By rolling clay into a roll and creating a coil you can make quite large pots. You can use tools to smooth the surface of the pot so it doesn’t have the bumpy surface, or you can leave it for texture.

Slab Construction: This method is when you roll the clay into sheets, you can form the sheets of clay using molds or you can let the clay stiffen a bit to create geometric forms. This is a popular method in contemporary ceramics.

Explanation:

Pinching is Pinching the outside till u get your form

coiling is making a long "snake" of clay, then roiling your snake onto itself (like how you do an ice-cream cone, or how you do a bun with hair), shaping it to a pot

slabbing is when u have a clay sheet (like a sheet of paper made of clay), and you stick it to another sheet till u have your shape.

HOPE THIS HELPS!

Brainliest, please.

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.