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“In 1969, the feminist author Carol Hanisch published an essay in which she coined the phrase "the personal is
political."
Throughout the twentieth century, many composers and performers focused their attention on intense personal
expression of their own national, social, and musical identities. Many of these expressions were direct
responses to political realities, and others created new political realities of their own.”
Discuss this intersection of the personal and the political in the music of the twentieth century. Provide specific
examples that demonstrate musicians' responses to dominant political and musical ideologies.
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