El cine cubano y su historia

En el caso de la historia del cine cubano se evidencia su evolución hacia una propuesta cinematográfica cada vez más revolucionaria, que ha jugado un papel

Explanation:

CUBA. Archipiélago ubicado en el mar Caribe o de las Antillas, su localización esta a 23°12’20’’de latitud norte y 81°08’20 de longitud oeste. Cuba es el mayor y más occidental archipiélago de las Antillas Mayores. Con un área de 110.922 km 2 , limita al norte en su plataforma con la península de la Florida, al sur con el mar Caribe y el estrecho de Colón, al este con el paso de los Vientos y al oeste con el estrecho de Yucatán, que la aleja de los Estados Unidos Mexicanos. Hasta 1976 la República de Cuba está dividida en seis provincias, Pinar de Río, La Habana, Matanzas, Las Villas, Camagüey y Oriente. A partir de 1976 una nueva división político administrativa establece catorce provincias, Pinar del Río, Ciudad de La Habana, La Habana, Matanzas, Villa Clara, Cienfuegos, Santi Spíritus, Ciego de Ávila, Camagüey, Las Tunas, Granma, Santiago de Cuba, Holguín, Guantánamo, y el municipio especial, Isla de la Juventud. La población a comienzos del siglo XXI se aproxima a los 11,6 millones de habitantes.

Explanation:

not because of any physical definition – as you can see cheerleading meets all of the athletic specifications. but, because cheerleading’s primary purpose is to support high school and college athletic teams. competition comes second! in other words, cheerleading is more than a sport.

explanation:

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.