Which of the following is true regarding equestrian portraits? a. The first examples were seen in the nineteenth century. b. They helped exaggerate the facial features and perfection of the subject in the painting. c. They were a form of social protest that was popularized by Picasso. d. They used the image of a horse beneath a political figure to help convey the subject supreme power and leadership.

Imagine that you have just been called to the scene of a car accident which appears to be the result of drunk driving. all persons involved have been transported to the hospital, and now it is your job to document the scene. write a short log of your experience at the crime scene as if you were the crime scene photographer. use your imagination about the details of the scene, and discuss eight photographs you could take (make sure you are including photos from each of the three categories – overview, mid-range and close-up). for each, include details such as a date, time, locations, objects, angles of photographs you took, etc.

Lines in art can be either actual or

Which of the following statements is not true? comic operas in the classical period treated middle-class subjects, had folklike tunes, and sometimes even ridiculed the aristocracy. townspeople organized public concerts where, for the price of admission, they could hear the latest symphonies and concertos. joseph haydn's contract of employment shows that he was considered a skilled servant, like a gardener or gamekeeper. political and economic power shifted during the classical period from the middle class to the aristocracy and the church.