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During the final years of the nineteenth century, American architect was becoming known to European artists and designers not only for his architecture, but for his design interests in furniture, fabrics, wallpapers, and stained-glass windows. He rejected historicism and saw space as the essence of design. His repetition of rectangular zones and use of asymmetrical spatial organization were adopted by other designers.
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Agenre's iconography consists of: a. its characteristic objects, settings, and stars b. the sum of all its conventions c. its use of recurring subject matter d. its typical plot patterns
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During the final years of the nineteenth century, American architect was becoming known to European...
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